Substituting cosmically existential, and wittily referential, lyrics for the usual gritty 'here and now' everyday problemsĪs for chords, a standard blues turnaround in E would be.Departing from the stock 12 bar chord progressions.Augmented a straight 4/4 or shuffle with odd time signatures and tempo changes (see the previous post).One of the biggest challenges in doing blues is to do something new fresh with a well worn, constricted and predictable form. Now is the time to get instruction from a jazz great before the opportunity is gone.But despite the recording and performance being well under-par there's a lot of interesting things in the songwriting itself. For those of you on a limited budget like myself the cost of the CDs in the ticket to improv series is ridiculously low, especially when using the new streaming option. Conti is one of the true New York Italian jazz guitar pros of the sixties. The Conti approach is ideal for people trying to learn jazz who feel like their progress has stalled. In particular, this method covers melodic lines that run four measures, or more, you learn by playing actual jazz solos. None of the other methods I have tried in the past have given me the access to the melodic lines needed to learn jazz guitar. The Conti method uses whole songs and melodic lines. Most courses emphasize theory, scales and licks. I have tried many guitar books and courses in the past, with little success. I started the Conti Ticket to Improv course about six months ago and have to say that I wish I found this course much earlier in my guitar career. I have had a very difficult time learning jazz improvisation. I am retired and I have been playing guitar since I was a child. More importantly, after you learn the first three tunes, he will also teach you how to quickly begin reshaping those lines for usage in other tunes. Very soon, you will be impressing your friends with your new playing skills.Īs in each of his learning products, once again, Conti delivers another “Motherlode!” How? By teaching you exactly how to start playing an arsenal of lines over the chord progressions to three “must know” tunes that are played in every real life jam session. If you’re an entry level jazz guitarist such as a blues or rock player trying to make the crossover to jazz, Ticket To Improv will take you on one of most exciting and productive musical events of your life. As seen in 25 prior DVDs, the core success of the Robert Conti approach is his ability to teach the jazz language (improv) at the street level, where it actually began. That’s exactly how the early greats learned their craft, simply by playing jazz, not wasting time talking about modes, scales or unimportant activities that prevented them from actually playing their instruments. The time-tested and acknowledged pathway to become a skilled improvisor is to play your instrument at every jam session or other opportunity that becomes available. Once you get your hands on a "Conti/Equity" guitar, there is no turning back. All my other guitars are now on probation. Many bell-like tones, bone nut, perfect neck, solid woods. The appointments far exceed all my expectations and make all of my studies pertaining to jazz guitar a monumental pleasure. Plus, all the course materials that I have purchased over the years are available on the site to all who want to improve their improvisational skills.Ĭase closed, this is the guitar of the future. A special thank-you goes out to Robert Conti, for the videos showing these guitars in action, as well as Mike, and Steve for all their help and correspondence regarding my purchases of these very fine guitars. The best design of a guitar that has ever existed, a much-needed dream come true for the working, professional guitarist, or hobbyist. One cannot go wrong with purchasing such a guitar that is in the superlative. Both of my Robert Conti designed guitars play magnificently, and carry the sound of a full size electrified arch top with the amazing dual Kent Armstrong pickups, Fantastic workmanship.
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